{"id":733,"date":"2025-05-22T19:06:27","date_gmt":"2025-05-22T19:06:27","guid":{"rendered":"https:\/\/trimfaucet.com\/?p=733"},"modified":"2025-05-30T12:39:49","modified_gmt":"2025-05-30T12:39:49","slug":"a-rippling-townhouse-facade-by-alex-chinneck-takes-a-seat-in-a-london-square","status":"publish","type":"post","link":"https:\/\/trimfaucet.com\/index.php\/2025\/05\/22\/a-rippling-townhouse-facade-by-alex-chinneck-takes-a-seat-in-a-london-square\/","title":{"rendered":"A Rippling Townhouse Facade by Alex Chinneck Takes a Seat in a London Square"},"content":{"rendered":"

\"A<\/p>\n

It takes a real knack for design to make something as hefty and industrial as steel and bricks appear weightless or even playful. But British artist Alex Chinneck<\/a> (previously<\/a>) is no stranger to monumental projects that reimagine urban infrastructure and buildings into striking public installations.<\/p>\n

As part of London’s Clerkenwell Design Week<\/a>, Chinneck unveiled “A week at the knees,” a new sculpture in Charterhouse Square that takes its cue from an iconic predecessor<\/a>. The artist installed the \u201cFrom the Knees of my Nose to the Belly of my Toes” in 2013 on a dilapidated townhouse in Margate, appearing as though the entire front of the building had simply slid right off. On view through June in London, his new work boasts a frame made from 320 meters of repurposed steel and 7,000 bricks.<\/p>\n

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